Houdinipekerjaan

...streaks on the floor and wall, all reacting naturally to lighting and movement. You’re free to choose the aesthetic—realistic, stylised, or something in-between—so long as it feels cohesive with the footage and amps up the energy. I’ll supply clean plates, reference frames, and any additional camera-tracking files you need. Whether you prefer After Effects with Element 3D, Nuke, Blender, or even Houdini, just let me know; the only requirement is that the final composite marries seamlessly with the grade and motion blur already in place. Deliverables • Final composited shot(s) in ProRes to match original specs • Layered project file(s) with all assets linked • Brief notes on any third-party elements or plug-ins used Acceptance will...

...just a face swap—the hair, build, posture, clothing, and subtle movements all have to follow the original performance while appearing 100 % natural and photorealistic. The source clip is already edited; you will receive the final cut in high-resolution along with still frames for reference. Feel free to work in whatever pipeline you prefer—Stable Video Diffusion, Runway Gen-2, DeepFaceLab, Houdini, ComfyUI, or a custom blend—as long as the end result is seamless and artifact-free when viewed frame by frame. Deliverables • Full-resolution transformed video in the same codec and frame rate as the original • A side-by-side comparison export for quick review • Project files or node graphs that allow future tweaks (so I’m not l...

...flow; as it passes, defects in the pipe wall and mineral scaling become visible. Flow speed must be colour-coded— red , orange , green then blue for the highest velocity—with smooth transitions so the audience can read the change instantly. The finished clip will slot into a technical presentation, so please render at least 1920 × 1080, 30 fps, and supply the full project file (Blender, Maya, Houdini, 3ds Max, etc.) so I can adjust cameras or labels later. Show the pipe network as if you can see thru the city street Deliverables • 20–30 second MP4 in Full-HD or higher • Native project file with all textures, caches and simulations intact • One still image illustrating the colour legend • Brief notes on any plug-ins or settin...

... For this I need: • Fully-rigged, production-ready 3D models of the hero robot (and a small supporting roster) suitable for close-ups and action shots. • Supporting CGI effects— simple vex I will include in conversations—integrated into the animation passes. • Final rendered sequences or EXR layers that slot straight into the edit. I am comfortable whether you build in Maya, Blender, Houdini or a hybrid pipeline, as long as you can hand over clean project files plus the rendered frames. Compositing in Nuke or After Effects is a bonus if you want to take shots all the way to final. Time frame is tight: everything has to be wrapped less than 2 months, so please be ready to show early playblasts or grey-shaded turntables in week one, followed b...

...Visuals must be technically precise; any simplifying assumptions should be flagged for my approval. • Text and data overlays must use SI units and standard ocean-energy terminology. • Color palette and typography should align with typical research-journal graphics—clear, uncluttered, no gimmicky effects. • Final run-time: 90–120 seconds. Preferred tools include Blender, Maya, Cinema 4D, Houdini, or After Effects—use what lets you deliver the most accurate motion and fluid dynamics. If you can add a subtle ambient soundtrack or a brief technical voice-over, let me know; it’s a plus but not mandatory. I’m ready to move quickly, provide CAD models and data plots, and give prompt feedback at each milestone so we can wrap the projec...

I’m building a new series of eye-catching posts for my social channels and need help turning raw footage and photos into scroll-stopping pieces. The plan is to introduce rea...Deliverables • Final edited videos (1080 × 1920/4 K where possible) • High-resolution stills for thumbnails and stories • Source project files so I can tweak captions or aspect ratios later Acceptance criteria: seamless creature integration, clean keying and tracking, and file sizes small enough for quick social uploads without sacrificing clarity. Preferred tools include Blender, Maya, Houdini, After Effects, or any AI-assisted modelling pipeline you’re comfortable with—as long as the end result looks real. If this sounds like your playground, let me see a quick re...

...the scenes in a realistic style • Add cinematic camera moves, sound design, voice-over/music sync and colour grading so the final cut is ready for release Where we stand I have the concept locked and can share key plot points, characters and references; the full script can still flex if you see ways to improve pacing or dialogue. Tools you’re comfortable with—Blender, Maya, Cinema 4D, Houdini, Unreal, After Effects, DaVinci, Premiere—are all welcome so long as the end result is a high-quality render and a clean, professional edit. Final delivery • One mastered video file (HD or 4K, depending on render capability) • All project files neatly organised for future tweaks The budget is tight, so efficiency and smart use of assets ar...

I have a marketing campaign coming up that hinges on a single, fully photorealistic CGI animation. The piece must feel real enough to sit seamlessly beside live-action footage—accurate lighting, authentic textures, natural camera moves, the works. You are welcome to build in Maya, Blender with Cycles, 3ds Max + V-Ray, Houdini, or a similar high-end pipeline; what matters most is that the final render persuades viewers that what they are seeing exists in the real world. Deliverables • Finished animation rendered in 4K (H.264 and ProRes) • All project source files and assets neatly organised • A short style-frame or look-dev preview early in the process so we can lock colour, mood and pacing Acceptance criteria The render must withstand close-up inspecti...

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...storyboarding. • Style: full 3D animation—modeling, rigging, texturing, lighting, and final rendering. Think Pixar-level cleanliness rather than a simple toon shader. • Runtime: somewhere between one and five minutes; final length will depend on pacing once the animatic is locked. • Output: 1080p (or higher) H.264 video plus all project files for future tweaks. If you work in Maya, Blender, or Houdini and can handle the entire pipeline—animation, basic sound effects, and a touch of music for comedic timing—you’ll be a great fit. Please share links to similar shorts or character pieces you’ve animated, note your preferred software, and let me know roughly how long you’d need once the storyboard is approved. I’m re...

...enough atmospheric haze to make the headlights pop. The scene should cut between the cinematic race which is me (the primary song artist) against the featuring song artist, so will also require interior front facing shots of us driving in the car. The song itself is 2 minutes 36 seconds so the video would have to match that length. I’m flexible on your choice of toolset—Blender, Maya, Cinema 4D, Houdini, even Unreal Engine—so long as the final look feels cinematic and seamlessly drops into an existing 24 fps edit. Deliverables • Fully rendered 4K (or higher) video file of the race sequence, ready to insert into the timeline • Short viewport or playblast preview for quick approval before you commit to final render Once I approve the animatic you ...

I’m ready to turn an approved script into a compelling 3D animation that clearly demonstrates every key feature of my product. The storyline, dialogue, and timing are already locked; what I now need is your expertise in modeling, texturing, lighting, and rendering to bring the concept to life. Please work in whichever 3D package you’re most comfortable with—Blender, Maya, Cinema 4D, Houdini, or similar—so long as the final output meets these simple criteria: • Full-HD (1920×1080) MP4 render, broadcast-ready • Clean, well-organized project files so my team can revise or re-render if needed The script runs just under a minute, so the finished piece should land around that mark as well. I’ll provide the script, reference photos, br...

...assemblies, macro fly-throughs and any subtle mechanical movements the product performs in real life. • Integrate tasteful motion-graphics call-outs (logo sting, feature labels, tagline) that feel baked into the scene rather than overlaid. • Render a 30–60 sec sequence in 4K, plus a lightly compressed 1080p version for web. • Deliver the editable project files (Blender, Cinema 4D, Maya, 3ds Max, Houdini or similar), texture libraries and final video in ProRes or MP4. Acceptance criteria 1. Visual realism matches reference photos under neutral lighting. 2. Text and graphic elements remain crisp at 100 % zoom in 4K. 3. Camera moves are smooth, with no clipping or intersecting geometry. 4. Final piece exports without visible fireflies, flicker or ...

...Rizom UV Advanced UV unwrapping SpeedTree Foliage and vegetation assets Houdini (bonus) Procedural FX, destruction simulations Asset Pipeline & File Formats FBX Export/Import OBJ Alembic (ABC) USD GLTF Datasmith Asset Validation Naming Conventions Folder Structure / Asset Organization General Git / Version Control Perforce Agile / Sprint workflow Real-Time Rendering Performance Profiling Draw Call Optimization Texture Memory Management Nice to Have Experience with in-camera VFX or virtual production workflows Knowledge of motion capture pipeline integration Familiarity with Chaos Physics and destructible environments Experience with concert, live event, or architectural visualization using DMX Proficiency in Houdini for procedural destruction or FX Experience reworki...

...life without inflating the budget. If you love storytelling through character animation, environment design, lighting, and cinematic editing—and you know how to keep production lean—let’s talk. Scope The work spans the entire pipeline: modeling, texturing, rigging, animation, lighting, rendering, and post-production editing. I’m open to the software you already master—Blender, Maya, Cinema 4D, Houdini, Unreal, After Effects, DaVinci Resolve—so long as the output is polished and studio-ready. What you’ll deliver • Production-ready 3D assets and project files • Fully rendered sequences (4K preferable) • A clean, professionally edited movie file with sound laid in • All source files so I can reopen or repurpos...

...on skin, scales, and tail, and nuanced performances rather than cartoon exaggeration. The key sequence is the transformation: I want a seamless blend of practical prosthetics (full-body silicone appliances, mechanical fins, on-set water rigs) and carefully integrated CGI for muscle shifts, fin deployment, and subtle bioluminescent pulses. Tools such as ZBrush, Maya or Blender for model builds, Houdini for fluid sims, and compositing in Nuke or After Effects are welcome as long as the end result feels fully photo-real. Principal photography will take place on controlled interior sets with green-screen water tanks, followed by location plates for open-ocean backdrops. Underwater cinematography experience is a plus, but I am open to creative solutions if you can sell the illusion ...

...essential. The script is complete and storyboards are in progress, covering explicit adult scenes alongside plot-driven dialogue, environment transitions, and atmospheric build-ups. I will supply the screenplay, reference art, and any legal compliance notes; you will take charge of modelling, texturing, rigging, animation, lighting, rendering, and final compositing. Preferred tools are Blender, Maya, Houdini, Unreal Engine, or a comparable pipeline—whatever lets you hit realistic shading and smooth character movement. Key milestones will be: • Asset pack (principal characters, two main sets) approved in gray-box format • Blocking pass of the full film with temp audio • Polished animation locked for every sequence • Final lighting, rendering, an...

...shader networks and triplanar or noise-based masks to avoid obvious texture tiling. Lighting is where the mood comes to life: soft key lighting from large bay windows, rim accents from holographic signage, and gentle colour contrast to guide the eye. Think feature-film look development rather than game-engine bake. Deliverables • Fully realised space-station environment in native scene file (Maya/Houdini/Blender + Arnold) • Modular asset library clearly organised • All procedural shaders and texture networks intact • Cinematic lighting setup preserving the bright, optimistic tone • At least three polished camera angles that tell a visual story • Final 1920 × 1080 renders, 300+ samples each, denoised Acceptance criteria • No ...

...features people, several animals, and a handful of detailed props, so every asset—from skin and fur to hard-surface objects—needs to read convincingly on screen. I need one artist (or a tight-knit team) who can take each asset through the full pipeline: clean topology modelling, production-ready rigging, and expressive, physically accurate animation. If you’re most comfortable in Maya, Blender, Houdini, or a similar high-end package that’s fine with me; what matters is the end result matches real-world motion, weight, and surface detail. I will supply a script. You’ll handle character and environment creation, set up flexible rigs suitable for both body and facial performance, then animate the final shots ready for lighting and render on my sid...

... The renders must be all about mood: think nuanced highlights, convincing bloom, and shadows that roll gently across walls and flooring. Shapes, textures, and other décor can stay understated—lighting effects are the star of the show. Any workflow is fine—AI tools such as Midjourney, Stable Diffusion, or DALL-E for concept generation, or traditional software like Blender, 3ds Max, Cinema 4D, Houdini, Unreal Engine, or KeyShot for full scene builds. As long as the result looks photoreal, I’m open to how you get there. Because the project is time-sensitive, I’d like first passes within a couple of days and polished finals shortly after. Deliverables • 3-4 hero stills at print resolution (minimum 4K) showing the installation from key lobby vi...

... The brand logo can appear subtly, but the hero is always the bottle’s form and finish. • Length: 30–60 s per video, delivered in 1080p (4 K welcome if your pipeline supports it). • Audio: optional, though a soft ambient bed or SFX for spritzes and liquid movement would elevate the piece. • Formats: final MP4/H.264 or ProRes, plus the editable project files (Blender, Cinema 4D, Maya, or Houdini—use whichever you prefer as long as I can revisit the scene later). Workflow I envision 1. You send a quick grey-box animatic so I can lock camera paths and pacing. 2. Once approved, you texture, light, and render a short preview frame sequence for realism checks. 3. After my sign-off, finish the full render, apply any final colour work, and su...

I WANT TO CREATE A VIDEO OF A MUSICIAN (AI IMAGE OKAY) SINGING TO A WOMAN IN AN ENCOURAGING OR ADVISORY SCENE. NEED THE 7MIN SONG TO SINK. The song is ready, the lyrics are locked, and ...delivery is 4K (3840×2160) H.264 or ProRes, plus the editable project files so future tweaks remain possible. Key checkpoints: • Storyboard & style frames approved before full production • First full-length draft for timing and pacing review • Polished cut with sound design (if added) and color grade • Final render and source files hand-off Software choice is yours—Cinema 4D, Blender, Maya, Houdini, or similar—so long as the end result feels cinematic and photoreal. Turnaround is flexible within reason, but please outline a realistic schedule when...

I’m putting together a slate of 3D animation pieces and I need an animator who can comfortably jump between character work, architectural walkthroughs, sleek product reveals—essentially anything the brief calls...approaches as required. There’s no fixed deadline hanging over us, so we can prioritise quality over speed and plan realistic milestones together. I’ll supply concept art, storyboards, or CAD files depending on the assignment; you’ll handle the full 3D pipeline through to final renders and editable source files (ideal formats are .blend, .fbx, or .c4d, but I’m open if you prefer Maya, 3ds Max, or Houdini). If you thrive on variety and can demonstrate polished 3D animation across different subjects, let’s talk about the first brief...

...Rizom UV Advanced UV unwrapping SpeedTree Foliage and vegetation assets Houdini (bonus) Procedural FX, destruction simulations Asset Pipeline & File Formats FBX Export/Import OBJ Alembic (ABC) USD GLTF Datasmith Asset Validation Naming Conventions Folder Structure / Asset Organization General Git / Version Control Perforce Agile / Sprint workflow Real-Time Rendering Performance Profiling Draw Call Optimization Texture Memory Management Nice to Have Experience with in-camera VFX or virtual production workflows Knowledge of motion capture pipeline integration Familiarity with Chaos Physics and destructible environments Experience with concert, live event, or architectural visualization using DMX Proficiency in Houdini for procedural destruction or FX Experience reworki...

...broadcast online and on large in-store displays, so every pixel has to hold up under close scrutiny. Here’s the flow I have in mind: once we lock the script, you’ll translate it into a concise storyboard and animatic. From there, you’ll build detailed models, light the scene, apply physically-based materials, and animate each shot with believable physics and camera moves. I typically work in Maya and Houdini with V-Ray or Redshift for rendering, but I’m flexible if you have a different pipeline that achieves the same level of realism. Deliverables • Storyboard & animatic (mp4 or mov) • Final 25–30 second spot in 4K ProRes + web-ready H.264 • All working files (scenes, textures, project assets) clearly organized Acceptance ...

...centers on a single character who must look and move believably while: • Speaking or acting to camera • Interacting with surrounding props or environment If you’re comfortable taking a project from concept sketches through final render—and can also package the end result into a concise presentation (slide deck or short sizzle video)—we should talk. I’m flexible on software; Maya, Blender, Houdini or similar pipelines all work as long as you can deliver clean rigs, natural motion, and production-ready renders. What I expect to receive: the finished animation in 1080p or higher, still frames for marketing material, and the editable project files so I can iterate later. A brief outline of your workflow, estimated timeline, and any previous ex...

...need is for it to come alive in a dramatic, cinematic reveal that can run at the start of every trailer and gameplay clip. Here’s what I’m after: the treatment should feel true to a modern AAA title—fluid camera movement, subtle lighting work, tasteful particle or smoke accents, and sound-effect placeholders timed to the action. I’m open to whichever tools you prefer (Blender, Maya, Cinema 4D, Houdini, Element 3D in After Effects, etc.) as long as the final piece is clean and export-ready. Please tell me briefly about your experience crafting 3-D logo stings or similar game assets; strong reels speak louder than long proposals. Deliverables • 5–7-second 3-D logo animation in 4K and 1080p (H.264 and ProRes with alpha) • Source project...

...need is for it to come alive in a dramatic, cinematic reveal that can run at the start of every trailer and gameplay clip. Here’s what I’m after: the treatment should feel true to a modern AAA title—fluid camera movement, subtle lighting work, tasteful particle or smoke accents, and sound-effect placeholders timed to the action. I’m open to whichever tools you prefer (Blender, Maya, Cinema 4D, Houdini, Element 3D in After Effects, etc.) as long as the final piece is clean and export-ready. Please tell me briefly about your experience crafting 3-D logo stings or similar game assets; strong reels speak louder than long proposals. Deliverables • 5–7-second 3-D logo animation in 4K and 1080p (H.264 and ProRes with alpha) • Source project...

ield: VFX / Procedural Modeling (Houdini) Task: Create procedural railroad tracks driven by a curve. When the base curve changes, the entire track must update automatically. Minimum Components: Rails + sleepers (ties). Optional for better quality: Fasteners, spikes, bolts, ballast. Software: Houdini (mandatory). Deliverables: Houdini project file (.hipnc) Rendered screenshot (JPEG) Proper naming convention Complexity: Medium More details in chat i will have more 30 projects so only contact person who can give good price with good quality

I need a Houdini-savvy artist to build fully detailed, production-ready realistic characters. The job is strictly 3D modeling: sculpting, retopology and UVs inside Houdini, keeping the node network tidy so I can tweak it later. To be clear, I am not after VFX setups or animation rigs right now—just clean, high-resolution models that will slot into an existing pipeline. Real-world proportions and believable anatomy are essential, while mesh density must stay efficient for subdivision and look-dev downstream. Deliverables • Houdini .hip file with non-destructive node tree • Final geometry in .bgeo and FBX with named UDIM UVs • Separate displacement / normal maps (16-bit EXR) • Brief note on any custom HDA tools used If this sounds...

I’m producing a suite of animated explainer videos that must feel every bit as polished as a top–tier...if your pipeline allows Focus point The viewer should immediately recognize the pain point being solved, so problem depiction needs extra care—clear, relatable and visually striking before we transition into the intervention and benefits. What I need from you Send a detailed project proposal outlining your creative approach, production timeline, preferred tools (After Effects, Cinema 4D, Houdini, etc.), and how you’ll keep that high-gloss fintech aesthetic consistent across all assets. Feel free to link past work for context, but the proposal itself will drive selection. If you can deliver cinematic polish, meticulous animation control and a cohesive...

I need an experienced Houdini artist to build a heightfield terrain pipeline that processes real NASA lunar elevation data (LOLA DEMs) into Unity 6 URP-ready assets. This is for scientifically accurate visualization of a specific lunar crater region - NOT procedural generation. The primary challenge: preserving steep crater slopes (30-45°) that standard Unity terrain tools cannot handle accurately. Your Houdini workflow must maintain scientific fidelity of the NASA source data while optimizing for real-time rendering on integrated GPUs. Key deliverables: - Documented Houdini .hip file processing NASA heightmaps → Unity assets - Terrain tiles with 3+ LOD levels maintaining slope accuracy - PBR texture sets: Albedo (from LROC imagery), Normals, Roughness...

...glimpse of the set environment that sells the world’s scale and tone. The mood is grounded and cinematic—think hard-lighting, believable materials, and physics-driven VFX rather than stylised flourishes. I will supply the script excerpt, annotated boards, set blueprints, and reference clips so you can jump straight into previs or shot production. You are free to work in Unreal Engine, Blender, Houdini, After Effects, Nuke, or any workflow you’re comfortable with so long as the final output looks camera-ready. Deliverables I’m expecting: • Finished 2-minute video in 4K and 1080p, ProRes or DNxHD. • Separate, clean asdialogue, SFX, and music stems. • Project files and layered assets for future expansion. Acceptance criteria: • V...

...glimpse of the set environment that sells the world’s scale and tone. The mood is grounded and cinematic—think hard-lighting, believable materials, and physics-driven VFX rather than stylised flourishes. I will supply the script excerpt, annotated boards, set blueprints, and reference clips so you can jump straight into previs or shot production. You are free to work in Unreal Engine, Blender, Houdini, After Effects, Nuke, or any workflow you’re comfortable with so long as the final output looks camera-ready. Deliverables I’m expecting: • Finished 2-minute video in 4K and 1080p, ProRes or DNxHD. • Separate, clean asdialogue, SFX, and music stems. • Project files and layered assets for future expansion. Acceptance criteria: • V...

...I’m after: • Design and rig a humanoid figure whose appearance is unsettling, tall and skinny, without relying on excessive blood or shock value—think uncanny movement, elongated shadows, or fleeting reflections. • I'll be the reference in the scenes, i will be there and you put the monster like its me. • Supply the final shot in 4K ProRes or equivalent plus the project files (Maya/Blender/Houdini, whichever you prefer) so my editor can adjust if needed. No hard deadline, but the sooner I can drop this into the edit, the better. Let me know your estimated turnaround and which software pipeline you work in. If you’ve handled similar atmospheric pieces, links to past work will help me lock this in quickly. References: Maybe like the hum...

...computational, not neon or psychedelic. Motion should be slow, controlled, and deliberate. No elastic easing, no wobble, no particle effects. The fluid must feel intelligent and engineered rather than chaotic. I already have texture maps and surface references prepared and would like those applied precisely so the final result stays fully on brand. Software You may work in Blender, Cinema 4D, Maya, Houdini, or another professional 3D package, as long as the final outputs meet the requirements below. Deliverables A high-resolution, loop-ready video suitable for website hero sections and presentations. A lightweight version for social media, either as a short MP4 or GIF. All project and source files so I can make minor tweaks later if needed. Timeline This animation will be...

...abstract composition built from original, custom 3D shapes that will serve as the hero artwork on a website. Because this piece will live online, I care as much about lightweight, responsive files as I do about visual impact: smooth gradients, subtle lighting, a sense of depth, and a color palette that feels contemporary without overpowering the page. You’re free to model in Blender, Cinema 4D, Houdini, Maya—whatever you’re most comfortable with—so long as the final renders are crisp at 2400 px wide and can be optimized for web display. Please deliver the finished static image in both PNG and WebP, along with the native 3D scene (textures included) so I can explore future motion or interactive uses. Key deliverables • Hero image, 2400 px wide, in PN...

I have a fully animated dragon sequence that needs a Houdini-driven fire-breathing pass suitable for a feature-film composite. The brief is straightforward: one continuous exhalation of flames that feels physically plausible, with rich temperature variation, secondary heat ripples, and natural smoke roll-off. I am aiming for the kind of highly realistic Pyro look you would expect in a modern VFX pipeline—think Scales vs. Knight-type quality, not a stylised or game-ready shortcut. The creature animation will be delivered to you as an Alembic cache together with camera tracks and a low-res body proxy. You can work in Houdini 19 or 20; PyroSparse or the classic Gas model is fine as long as you keep voxel efficiency in mind. Lighting should stay neutral—our final g...

...blending realistic 3D animation with seamless AI enhancements so viewers instantly grasp the value of the site. The core concept, script, and brand guidelines are ready; what’s missing is the production magic. I’m counting on you to handle AI character generation, environment creation, animation, voice-over sync, sound design, and final compositing. Whether you prefer Blender, Unreal Engine, Houdini, RunwayML, or a similar AI toolchain, I only care that the end result looks photo-real, flows smoothly, and tells the story without feeling like stock footage. Key points for success • Runtime: exactly 3:00 (±2 sec for fades) • Aspect ratio: 16:9, 4 K master, delivered in MP4 (H.264) • Style: realistic lighting, subtle motion-graphics overlays...

...script the moment we start. From there, I’ll count on you to handle: • Modeling or adapting realistic characters, props, and environments • Rigging and smooth, believable character/object motion • Lighting, texturing, and camera work that sells the realism • Final render (1080p or higher) plus delivery of the editable project files Any professional 3D suite is fine—Maya, Blender, 3ds Max, Houdini, unreal engine 5—so long as you can match a polished, film-ready look. End deliverables include: the finished video (under 60 seconds), project files, and any texture/plugin libraries used. When you bid, please share examples of short realistic pieces you’ve completed, note your preferred software, and outline the timeline you’d ...

...larger media project, so seamless realism is critical. Here’s the flow I’m envisioning: once we lock a short brief and rough storyboard, you’ll develop the environment, populate it with believable foliage, terrain, and natural FX (wind, water, subtle wildlife movement), then animate the camera and key objects or characters to match the story beats. I’m happy for you to work in Blender, Maya, Houdini, Unreal Engine, or whichever pipeline you prefer—as long as the result is photo-real and easy for me to composite into the rest of the film. Deliverables I need from you: • Storyboard/animatic for sign-off before full production • All scene assets (models, textures, lighting rigs) in your native project format • A final 4K render (P...

...straight compositing job—no need to build new 3D assets unless you prefer to generate custom elements for realism. The plates are camera-tracked and supplied as EXR and ProRes files. I’ll send you reference clips and a timing sheet so you know exactly when each explosion blooms and where the flying particles should drift. Use whatever you’re most comfortable with—After Effects, Nuke, Fusion, or a Houdini render—so long as the final shot feels grounded in our real environment, with accurate lighting, shadows, and color matching. Deliverables • Final 4K ProRes 4444 shot with VFX baked in • All project files and comps (layered, organized, no missing plugins) • A short before/after breakdown for approval Acceptance criteria: flame...

...presentation. The visual must feel realistic—think physically-based shading, believable particle motion, and camera angles that would fit seamlessly beside CFD stills or lab footage. What matters most is the flow direction. I want viewers to grasp, at a glance, where the plume originates, how it curls around obstacles, and the pathways it follows in open air. You are free to use your preferred tools—Houdini, Blender, ParaView, or any CFD-to-3D pipeline—so long as the final render convincingly depicts real-world behavior. Deliverables • 20–60 second 1080p (or higher) MP4 showing the complete sequence • Still frame at a key moment for the presentation slide • Source project or alembic cache for future edits (optional but apprec...

... so think towering swells, wind-whipped whitecaps, rolling spray, and convincing foam interaction with the rain-lashed surface. Nothing stylised; I’m after hyper-realism with physically accurate shading, refraction, and particle mist, lit as if under an overcast sky with flashes of lightning in the distance. Please run the full minute as a continuous, seamless simulation. You are free to use Houdini, Blender (Mantaflow or Flip Fluids), RealFlow, Embergen, or any proven toolchain, as long as the result holds up in 4K close-ups. Deliverables • Final 60-second render in ProRes 422 or high-bitrate H.264 • Frame sequence (OpenEXR 16-bit) for compositing • Project files and caches so I can re-light or re-time if needed Acceptance criteria: the waves must...

I’m developing a set of pure-entertainment 3D videos and need an animator who excels at photoreal work. Think lifelike c...detailed environments—everything that keeps the viewer immersed for fun alone. What I’ll provide: the storyline, reference boards, and any voice-over or music tracks. What I need from you: all modelling, texturing, rigging, animation, lighting, rendering, and a final edit delivered in MP4 (1080p or 4K) plus the original project files. Industry tools such as Blender, Maya, 3ds Max, Cinema 4D, or Houdini are all fine as long as the result looks real. Two review rounds are included in the schedule so we can polish timing and visual fidelity. If you have a strong reel of realistic 3D work and can handle the full pipeline end-to-end, let’s...

I want to tell a short, word-free story in exactly ten seconds: 1) a universe of little shapes, words, symbols and lines moving slowly but chaotically. 2) After aro...design that reinforces the sense of contraction • Source project files so I can revisit or re-grade later Acceptance criteria • Every visual element above is clearly present and flows without cuts or stutters • The final frame shows only the polished 3D sphere, no additional graphics • Audio is free of clipping and balanced for online playback Feel free to build in Blender, Cinema 4D, Houdini, After Effects or any pipeline that delivers a crisp, cinematic result. If you have past surreal motion-graphics work, please attach a sample. Let’s make this brief journey from infinity to ...

...short loop or 15- to 30-second sequence (length can be adjusted if you have a stronger storytelling idea). • Deliver a polished 1080p (or higher) video file plus the raw project files (Blender, Unreal, Houdini, etc.) so adjustments remain possible. Acceptance criteria 1. Logo placement is crisp and unobstructed. 2. Smoke behaves naturally with soft movement and light interaction. 3. Final render shows no noticeable noise or flicker and matches the realistic style described above. Please include a brief note on which 3D tools and AI utilities (e.g., Unreal Engine, Blender, Houdini, Stable Diffusion/Runway for texture assists) you prefer so I can plan for file compatibility. Winner gets to work with my brand and work hand and over the next year with video...

I’m preparing a high-energy commercial spot and need a single, photoreal explosion built from the ground up in Houdini. The effect must feel completely believable—dense fire, rolling smoke, subtle debris—and sit naturally against live-action footage I’ll supply once we start. Here’s what I’m expecting: • Houdini-based Pyro simulation tuned for realism, with physically accurate scale, motion blur and shading. • Clean, well-labeled .hip file so my team can study or adjust the network later. • Final deliverables: VDB caches (or if you prefer), a beauty EXR or ProRes render pass with alpha, plus a low-res preview for quick review. • The effect will ultimately be comped over 4K plates, so consistency in exposure, col...

I’m putting together a pure-entertainment 3D animation and need an artist who can take the project from first key-frame to final render. All modelling, rigging, lighting, effects and post work should serve ...that plays smoothly on standard HD screens. I’ll supply the basic concept and running time once we connect; you’ll translate that into a complete animated sequence, handle any needed revisions, and deliver the finished video file along with the editable project assets. When you reply, keep the focus on your hands-on experience—titles you’ve worked on, tools you prefer (Blender, Maya, Cinema 4D, Houdini, Unreal, etc.), and anything that shows you can craft polished entertainment content end-to-end. No lengthy proposals needed; a concise note and l...

...appreciate build quality and maintenance access. • Timber unloading process: each log’s transfer path from ship hold to storage bay, including palletising or conveyor integration if required later. Physics and technical accuracy Weight transfer, crane swing, cable tension and ship stability must all look believable. Please apply practical physics inside your toolchain—Blender, Maya, 3ds Max, Houdini, or an equivalent—to avoid exaggerated or “floaty” motion. Water interaction can stay visually simplified, but the vessel must sit in the berth at a credible draft throughout. Deliverables 1. One polished 1080p (or higher) MP4 video, 180-300 seconds, ready for presentation. 2. High-resolution still frames for slides, especially of the robot...