Rotoscopingpekerjaan

Develop a complete 1:20 - 4 minutes motion graphics video that showcases a wide range of skills acquired throughout the Motion Design course. This includes understanding and application of After Effects features, animation techniques, text and shape animations, advanced compositing, 3D layer manipulation, expressions, rotoscoping, motion tracking, color correction, and rendering. The project should reflect both technical proficiency and creative storytelling, and it must be about you. 1. Concept Development and Storyboarding: Begin with a clear concept or story. Create a detailed storyboard to outline your visual narrative, planning the flow, timing, and transition of scenes. 2. Creating Dynamic Compositions: Utilize After Effects to build compositions, effectively managing la...

I’m producing a series of visually-driven lecture videos and need the full post-production treatment—3D VFX, motion graphics, seamless editing, and cohesive colour grading. The pipeline will move fluidly between After Effects and Blender, so you’ll be importing models, compositing multi-pass renders, tracking, rotoscoping, and finishing each lesson with a polished grade that keeps viewers engaged from slide one to sign-off. Source footage and voice-over tracks arrive trimmed and synced; your role is to elevate the visual layer so the educational content feels cinematic without distracting from clarity. Feel free to suggest creative camera moves, particle work, or on-screen typographic cues where they help retention. Deliverables must meet these acceptance criteri...

I'm looking for a skilled 2D animator to create a one-minute animated music video about a fictional country and its military in an anime style. The video should be action-packed and intense. I am ready to provide assets such as: - pre-existin...looking for a skilled 2D animator to create a one-minute animated music video about a fictional country and its military in an anime style. The video should be action-packed and intense. I am ready to provide assets such as: - pre-existing characters and uniforms - rough sketch storyboard - models of warships Ideal skills and experience: - Proficiency in traditional 2D anime-style animation - Rotoscoping - Experience with action-packed scenes - Attention to detail in character and landscape design Please provide a portfolio showcasin...

I have a batch of footage that needs to inform viewers clearly and memorably. To achieve that, the edit has to go beyond simple cuts and colour tweaks; it must lean heavily on sophisticated post-production techniques. My top priorities are: • VFX (Visual Effects) • SFX (Sound Effects) • Kinetic Typography Alongside those, you’ll also weave in motion graphics, handle any required rotoscoping, and polish timing so every animated element lands in sync with the narrative. The final videos should feel seamless, visually striking, and—above all—easy for the audience to understand. You’ll receive raw clips, the script, a reference track for pacing, and brand guidelines. Deliver back: • Master video in 4K (and a 1080p down-res) &bul...

...minute (happy to refine once we review the storyboard and script). Workflow I have in mind: I’ll supply raw footage, logos, color guidelines, and rough copy. You shape that into a tight storyboard, then build the sequence in Premiere Pro, Final Cut, or a comparable NLE—After Effects for motion graphics is fine. Feel free to use AI tools such as Runway, Adobe Sensei, or Descript to speed up rotoscoping, dialogue polishing, or color matching, provided the output stays broadcast-quality. Acceptance criteria: – Smooth integration of animation and live-action – Voice-over perfectly synced and mixed at broadcast-safe levels – Text overlays legible on both desktop and mobile – Music licensed and properly credited If you enjoy experimenti...

I have a single interior shot of about 3500 frames that follows two actors in a dialogue-heavy exchange. I need clean, accurate mattes for each performer so we can swap out the background later in compositing. The brief calls for intermediate-level detail: body outlines must stay rock-solid, limbs, hands and basic facial contours need to read clearly, but I am not chasing every stray hair. Work in Mocha Pro, Silhouette, After Effects, Nuke—whatever lets you move fastest—so long as I can open the project in AE 2023 or Nuke 13 for any last-minute tweaks. Deliverables • Two separate alpha channels (one per character) as an EXR or PNG image sequence covering all 3500 frames • The working project file with organised, clearly labeled roto shapes • A low-res r...

I have a single interior shot of about 3500 frames that follows two actors in a dialogue-heavy exchange. I need clean, accurate mattes for each performer so we can swap out the background later in compositing. The brief calls for intermediate-level detail: body outlines must stay rock-solid, limbs, hands and basic facial contours need to read clearly, but I am not chasing every stray hair. Work in Mocha Pro, Silhouette, After Effects, Nuke—whatever lets you move fastest—so long as I can open the project in AE 2023 or Nuke 13 for any last-minute tweaks. Deliverables • Two separate alpha channels (one per character) as an EXR or PNG image sequence covering all 3500 frames • The working project file with organised, clearly labeled roto shapes • A low-res r...

I need an AI-driven workflow that ingests raw video (MP4/MOV) and automatically follows a chosen object through every frame, delivering a clean alpha-masked output I can drop straight into my edit. The goal is to save me from manual rotoscoping; accuracy and speed are both critical. Here’s how I picture the collaboration: you build or adapt a model—using tools such as PyTorch, TensorFlow, Detectron2, or a proven OpenCV pipeline—that detects the target, keeps the mask tight even during fast motion, and exports either a keyed video or a PNG sequence. A small sample clip will be provided for you to demonstrate proof of concept; once results look solid we’ll run the system on the full batch. Deliverables • Python or command-line script (with all depe...

I have an uncensored shower clip in MP4 format that needs subtle yet convincing body reshaping: fuller breasts and a slightly more defined mid-section while preserving natural skin texture, water droplets, and lighting. The look I’m after is realistic body manipulation—not an over-stylised or cartoonish effect—so careful rotoscoping, motion tracking and compositing are essential. You are free to work in Adobe After Effects, Final Cut Pro, DaVinci Resolve or another comparable editor, as long as the work is carried out manually and not delegated to AI morphing tools. Every frame must hold up under close inspection, with no warping in the background tiles, water flow or reflections. Strict confidentiality is expected because the footage contains full nudity. De...

I’m an independent filmmaker working on a short film shot on 16mm black-and-white reversal film. I’m seeking a skilled VFX artist with strong rotoscoping and compositing experience to accurately recreate a full-color Pride flag within a black-and-white sequence. This is not a stylized or abstract treatment—the goal is a clear, literal Pride flag with correct stripe order and consistency, even as the fabric folds and moves. Because the footage contains no color information, this will require manual roto work, careful mask tracking, and precise color placement across shifting fabric. Scope of Work: Rotoscope a moving, partially bundled Pride flag Maintain consistent stripe placement (red, orange, yellow, green, blue, purple) across folds and motion Track masks a...

I have a brief, under-10-minute clip from my Katb Kitab ceremony shot in 1080p. Throughout the scene a small group of children is seated directly behind my partner and me, and I need them taken out convincingly so the focus remains on the couple. I am happy for you to use whichever advanced technique works best—AI inpainting, frame-by-frame rotoscoping, compositing in After Effects, DaVinci Resolve, or any combination—so long as the final result looks natural, with no ghosting, warping, or jump cuts. The background and lighting must remain consistent, and skin tones should stay true; I do not need colour grading, audio work, or extra transitions—only the child removal. Deliverables • Final 1080p video (same duration and codec as source) • Lossles...

...occupy the background/foreground—no talking to the actors, no props to grab—so the work hinges on clean, frame-accurate rotoscoping that lets the animation sit naturally behind foreground/background elements/actors. What I will provide: • The 4K plates (ProRes 422), image sequences and media files • Existing After Effects 2026 Project Files What I need from you: • Masks applied to provided animated image sequences that separate them from appropriate real world objects/actors - including hair. This is primarily a keying and rotoscoping job in After Effects. • Preview renders so I can provide feedback. Footage totals under 20 seconds of work, but one shot requires hair rotoscoping and finessing, the other requires moving masks to mat...

I have a short clip that needs a clean matte so I can swap in a new background. The existing background is static, with no complex elements or fast motion, so the task is purely about tracing accurate, feather-free edges around the foreground subject and delivering a ready-to-use alpha channel. Footage will be supplied as a 4K ProRes file; I’m happy to work in After Effects, Mocha Pro, Silhouette, or whichever roto tool you prefer, as long as the mask is frame-accurate and free of chatter. Deliverables: • Clean, articulated alpha matte (or embedded transparency) matching the original clip length • Masked foreground rendered in ProRes 4444 or EXR sequence • Project file so I can make minor tweaks if needed Turnaround is flexible but sooner is better. Let me...

I have a short clip that needs a clean matte so I can swap in a new background. The existing background is static, with no complex elements or fast motion, so the task is purely about tracing accurate, feather-free edges around the foreground subject and delivering a ready-to-use alpha channel. Footage will be supplied as a 4K ProRes file; I’m happy to work in After Effects, Mocha Pro, Silhouette, or whichever roto tool you prefer, as long as the mask is frame-accurate and free of chatter. Deliverables: • Clean, articulated alpha matte (or embedded transparency) matching the original clip length • Masked foreground rendered in ProRes 4444 or EXR sequence • Project file so I can make minor tweaks if needed Turnaround is flexible but sooner is better. Let me...

I’m putting together a short sequence that blends a hand-painted natural landscape with anime-style characters, all inside Adobe After Effects. The matte painting will be a sweeping scenery shot—forests and open fields—rich in depth and ready to parallax. Alongside that, I need clean, frame-accurate rotoscoping so the animated characters sit convincingly in the scene. Here’s what I expect you to deliver: • A high-resolution matte painting built directly in an After Effects composition (no flattened artwork; layers must stay editable). • Rotoscoped character footage with smooth edges, no chatter, and shadow/semi-transparent areas preserved. • The complete, well-organised .aep file: comps labelled, layers colour-coded, external assets in c...

I am deep into post-production on a feature film and need a skilled roto artist to isolate characters and props cleanly across a series of challenging shots. Your mattes must be rock-steady, edge-accurate, and hold up under motion-blur and soft focus so my compositing team can drop them straight into the pipeline without extra tweaking. You will receive high-resolution plates (DPX/EXR) along with shot references and framing notes. I will be looking for consistent feathering, believable motion blur, and meticulous edge detail, with a preference for spline-based roto over brute-force garbage masking whenever possible. Turnaround is time-sensitive, so clear progress updates and rapid iteration on notes are essential. Deliverables: • Final matte sequences (EXR or TIFF with alpha) for ev...

I am starting a rotoscoping business that specializes in high-quality background and object removal from video footage. I require skilled freelancers to help with: - Removing backgrounds or unwanted objects from various types of footage - Handling both hard edges (like buildings) and soft edges (like human hair) - Ensuring a seamless blend with the intended background post-removal The ideal candidate should have: - Proven experience in rotoscoping and VFX - Proficiency with industry-standard software like After Effects, Nuke, or Silhouette - A strong portfolio showcasing previous work - Attention to detail and commitment to delivering high-quality results - Good communication skills to understand and follow project requirements If you have the expertise in creating clean pl...

I have a series of mixed-media shots that need clean, articulate mattes so the compositing team can isolate and treat specific areas without compromise. Your task is straightforward: pull accurate roto on every assigned element, frame-by-frame, and return production-ready mattes that drop straight into our Nuke and After Effects pipelines. You may work in Silhouette, Mocha Pro, Nuke’s roto node—whatever lets you deliver crisp edges and natural motion. Feathering, motion blur interpolation, and edge refinement must hold up under close inspection at 4K. Deliverables • Clean alpha mattes (EXR or TIFF sequence) for every element called out in notes • One preview render per shot, showing mattes over original plate for quick QC • Project files with splines inta...

I have several short clips shot against a green screen and need clean, detailed mattes pulled for 1–2 people in each shot. Your job is purely roto: no keying, compositing, or additional VFX. Once complete, I will handle the comp on my end. The footage is ProRes 422 HQ, 4K, 25 fps. I’ll supply the original plates along with the editorial cut so you can match frame accuracy. Edges must be crisp, hair detail preserved, and no chatter when played back at speed. Preferred tools are Silhouette, Mocha Pro, or After Effects with the Rotobrush 2 workflow—whichever lets you deliver the cleanest alpha. Deliverables • Matte sequences for each clip (DNxHR or ProRes with alpha, or numbered TIFF/PNG if you prefer) • Project files so I can revise if needed • A...

...environmental reflections, glare, and fingerprints so the inserted video is 100% clear and legible. • Edge Blending: Use a subtle feather/light wrap on the edges of the insert so it sits naturally behind the phone’s bezel. • Luminance & Color Match: Adjust the black levels, contrast, and glow of the inserted clip to match the light emission of an OLED/LCD screen in that specific environment. • Masking/Rotoscoping: If any foreground objects (candles, frosting, flowers) overlap the screen, they must be masked back to the front so the video appears "behind" them. 3. Constraints (What NOT to change): • The Environment: Everything outside the phone screen (the cake, the background, the lighting) must remain completely untouched. • The Camer...

...motion graphics) directly in After Effects. • Applying tasteful color correction and final grading so every video looks polished and consistent across my feed. I already have footage, music, and a rough idea of each story arc—your job is to weave them together, add the creative flair, and deliver final 9:16 MP4s ready for upload. Familiarity with AI-assisted tools or plugins that speed up rotoscoping, auto-reframing, or caption generation is a bonus because it lets us experiment faster. Deliverables per video: 1. Finished 15–30 s reel (H.264, 1080 × 1920, <10 MB). 2. project file with organized layers and linked assets. To help me choose quickly, tell me about your experience cutting trendy, fast-paced social videos and share a couple of rece...

My AI-generated promo runs just 12 seconds, yet it still needs a polish before it can go live on TikTok. 1. Subtitles The current captions are burned into the MP4 and contain a few obvious typos. I need those fixed frame-accurately so the text on-screen reads perfectly in Polish. If rotoscoping or tasteful masking is required to replace the letters, please include that in your approach. 2. Audio The voice-over is clipped. Please run a precise de-clip, apply a transparent limiter, then normalise to TikTok-friendly loudness so there is zero distortion once the video is uploaded. I expect the track to stay synchronised with the visual. Deliverable • Cleaned, typo-free MP4 with repaired audio, ready to upload to TikTok without further tweaks. Sending a short before/af...

...negotiable and released in stages as you hit project milestones you get paid as you deliver, not all at the end. This is not a colour grading gig. This is compositing-heavy work. WHAT YOU'LL DO: Green screen keying on real-world footage (uneven lighting, spill, fine hair detail not studio-perfect plates) Motion tracking: locking AI-generated textures and facades onto dolly shots and moving surfaces Rotoscoping: architectural geometry windows, arches, columns, irregular heritage building shapes Layer integration: combining 3D geometry + AI textures + live plates into seamless composites Edge blending: texture replacement on ceilings, floors, and stepped architectural surfaces Water and reflection compositing Colour grading: one locked look per sequence, consistency across t...

...I have a clear, full-body photo of the intended guest and I need that person convincingly placed in the vacant spot, interacting naturally with the surroundings and the ongoing activity. You will handle the full compositing process: motion-tracking the shot, matching perspective and lighting, creating any shadows or reflections, and grading the insert so it blends seamlessly with the scene. Rotoscoping of nearby participants may be required to ensure correct layering. I’ll supply the raw video and the high-resolution JPEG/PNG of the person. Please return a clean, ready-to-share final video in the same HD MP4 format plus any project files (After Effects, Premiere, or similar) so minor tweaks can be made later. Let me know your preferred software and the turnaround you can...

I need an entire car masked and rotoscoped, with the addition of special highlights or accents. Requirements: - Masking and rotoscoping of the entire car - Application of a single color highlight or accent Ideal Skills and Experience: - Expertise in rotoscoping and masking - Proficiency in color correction and applying special effects - Experience with video editing software (e.g., After Effects, Nuke) - Attention to detail and ability to create clean, professional-looking outputs Please include examples of previous work, especially related to vehicle modification.

...VFX work finished to the same standard you would expect from a theatrical release. All work will be carried out inside DaVinci Resolve’s Fusion page or Runway; if you prefer to rough things in Nuke or After Effects first, that is fine as long as the finished composites are delivered in Resolve-friendly formats and slot straight into my existing 4K timeline. The tasks on the table • Precise rotoscoping of complex foreground subjects (hair, motion blur, fine edges) • Adding precise background seamlessly behind the foreground • Layering and flawlessly aligning multiple plates so they read as a single shot • Designing and integrating photoreal visual effects that hold up in close-ups and wide shots alike Acceptance criteria 1. Alpha mattes are ti...

...VFX work finished to the same standard you would expect from a theatrical release. All work will be carried out inside DaVinci Resolve’s Fusion page or Runway; if you prefer to rough things in Nuke or After Effects first, that is fine as long as the finished composites are delivered in Resolve-friendly formats and slot straight into my existing 4K timeline. The tasks on the table • Precise rotoscoping of complex foreground subjects (hair, motion blur, fine edges) • Adding precise background seamlessly behind the foreground • Layering and flawlessly aligning multiple plates so they read as a single shot • Designing and integrating photoreal visual effects that hold up in close-ups and wide shots alike Acceptance criteria 1. Alpha mattes are ti...

I’ve got a 30-second HD clip of a greyhound race at Harlow that is currently plastered with JenningsBet signage. I need every trace of that existing branding removed and replaced with a fresh s...Deliverables & sign-off criteria: • Final 30-second video in 1080p (same framing and audio as source) • Seamless motion-tracked overlays with no visible JenningsBet remnants • Colour, perspective and shadow matched so the new branding feels native to the shot • Project file (After Effects or equivalent) plus any tracking data for future tweaks If you’re comfortable with motion tracking, rotoscoping and compositing in tools like After Effects, Mocha Pro or similar, this should be a tight, rewarding turnaround. Looking forward to seeing how convi...

... DO NOT USE ANY FOOTAGE FROM “”. Must use the music provided from any of the trailers, but you will need to edit and remix the levels to match your cut. Must utilize at least 5 different dialog sound bites full up. Must have sync sound effects if provided in the split tracks or utilize effects from other trailers. Using transitions, filters, speed changes, and rotoscoping is highly encouraged for the full grade. A minimum of two examples of a roto transition will be expected for the full grade. Watch the class recording for a demo of how to do this. ONE SHOT RULE: Do not have any two shots that are tied together from any of the trailers. You have to edit each shot, do not just lift a section from the trailer. Do not show me a scene from the trailer, I do not

...footage I provide with lightweight animation, text or graphic accents—whatever best fits a mixed-media look—so the result feels fresh and dynamic while staying on brand. Scope • Re-compose the supplied footage and images into several short videos (15–45 seconds each). • Use AI video platforms or plugins of your choice—Runway, Pika, Synthesia, Stable Video Diffusion, or similar—to automate rotoscoping, motion graphics, or style transfer where useful. • Keep the messaging clear and concise for marketing; pacing should suit social channels such as Instagram Reels, TikTok, and YouTube Shorts. • Match colours, fonts, and logo placement to the assets I send. Deliverables • Finished MP4 files in vertical (1080 × ...

...export (H.264, Full HD 1920x1080, 25fps) • After Effects project file (.AEP) • All source files and assets used • Simple and clean timeline structure ⸻ STOCK FOOTAGE RULES: • Only royalty-free footage (Pexels / Pixabay / Mixkit / Videvo free clips) • Do NOT overuse stock footage • Preferably reuse one main clip and manipulate it ⸻ REQUIRED TECHNIQUES (MUST BE INCLUDED): • 2D Tracking • Basic Rotoscoping • Chroma Key / Compositing • Kinetic Text Animation ⸻ VIDEO STRUCTURE (30–35 seconds total): 00:00 – 00:02 Black screen 00:02 – 00:06 Stock clip + colour grading + large animated text 00:06 – 00:10 Chroma key or compositing with background texture/video 00:10 – 00:15 Rotoscope one subject or...

...bold typography, and motion graphics that pop. • Use only the supplied game footage; add your own music and voiceover. I’ll rely on you to write three tight lines of copy that build to the final tag: “The NBA Finals on ESPN.” • Music should drive the piece and end with impact. I’m open to any style that works—energetic rock, upbeat electronic, fast-paced hip-hop—surprise me. • Incorporate rotoscoping and motion graphics per the online tutorials. One mandatory moment: freeze a player, cut them out with Animatte, then layer animated text over the freeze for a signature shot. • Keep font choices consistent; feel free to apply color grading, high-contrast looks, or other filters that heighten drama without overpowering t...

I have three short, live-action clips—just under two minutes—that needs clean, frame-accurate rotoscoping so the main character can be completely isolated from the background. The goal is to hand off a matte I can drop straight into my VFX pipeline for compositing. Here’s what I need from you: • A tight, flicker-free alpha matte. • Natural edge detail, especially around hair and semi-transparent elements. • Delivery as either a MOV/PNG/TIFF sequence with alpha. I will supply the original HD file and a reference cut showing the exact frames to extract. Send a quick note describing your rotoscoping approach and a link to one or two similar shots you have completed, and we can get started right away. Budget: $150 USD

...17:33 18:20 18:42 21:49 Episode 8 Start End 3:03 3:30 4:09 5:24 7:11 — 7:26 — 8:37 8:49 9:55 9:59 10:44 10:46 11:51 12:41 13:25 13:30 14:37 14:42 Episode 22 Start End 20:29 20:31 Episode 23 Start End 3:12 3:15 6:18 6:33 7:23 7:24 7:39 7:40 7:58 8:02 12:31 12:36 13:16 13:17 15:52 15:56 19:03 19:04 19:11 19:16 19:40 19:52 21:33 21:39 Please Confirm 1. Do you have experience with masking / rotoscoping? 2. Can you apply motion tracking so clothing moves naturally? 3. Can you share examples of similar work? 4. Your fixed price (or per milestone)? 5. Estimated delivery time? Thank you, and I look forward to your response....

... depth of field, and natural camera movement. • Realistic movement and facial detail so viewers never feel they’re watching synthetic actors. I’m happy for you to use whatever blend of tools you work best with—Runway, Stable Diffusion, Midjourney, ComfyUI pipelines, custom LoRAs, Houdini, DaVinci Resolve, you name it—as long as the final result is seamless. Traditional techniques such as rotoscoping, motion-capture clean-up, or compositing in After Effects are all fair game if they polish the realism. Deliverables 1. A completed short film (HD or 4K, 24 fps, H.264 or ProRes). 2. All prompt files, project files, or node graphs used so the workflow can be replicated. 3. A brief making-of document outlining the key stages—from concept art...

I have two 4 K MOV shots, each running about three seconds, that need frame-accurate rotoscoping and cleanup. The brief is straightforward: paint out a pen that's hanging in a pocket and remove some text from a handheld device (some roto required) Please work nondestructively in your preferred toolset (Nuke, Silhouette, After Effects, etc.) and keep the grain and color space intact. At delivery I’ll need: • A clean 4 K MOV plate for each shot • Corresponding matte(s) or alpha channel pass so I can drop them straight into comp Quality bar is broadcast-level: clean edges, sub-pixel accuracy, and no visible artifacts when played back at full resolution. Turnaround is 1day

...Final Cut. All timing, audio, and framing must stay untouched; I only want the logo gone and the background reconstructed so the removal is invisible when played back at full resolution. The finished file should match the original specs (codec, frame rate, resolution) and be ready for immediate use. If you typically use Mocha, After Effects, DaVinci, or any other professional tracking and rotoscoping tools, let me know in your proposal along with an estimated turnaround time. A subtle, artifact-free result is the key acceptance criterion....

I have a 3 second 4K AI Generated video of a logo that I need rotoscoped for a fun project. The colour blends into the background, so colour masking wont work. Using a 3D depth of field map to separate it also didn't seem to work. I'm not very practiced in rotoscoping or masking but it should be simple enough. I will give the project 30 minutes before I look at anyone's proposal, so no rush for anyone who is interested. Download here:

I need a skilled VFX artist to help with compositing. The source footage is in .mov format. I have real footage of myself miming drawing a bow. I want a realistic recurve bow and arrow added on top of the existing footage, tracked to my hands, with correct perspective, occlusion, and lighting. No stylisation, ...my hands, with correct perspective, occlusion, and lighting. No stylisation, no scene changes, no AI regeneration. Can you do CG object integration like this? Which software will you use (After Effects, Blender, Cinema 4D)? Have you done similar work before Key Requirements: - Expertise in VFX compositing - Proficient in After Effects, Blender, or Cinema 4D - Experience with motion tracking, rotoscoping, and CG object integration is a plus Please share your past work and e...

...to Blotato Log job status and published URLs One webhook must trigger the full pipeline. ACCEPTANCE CRITERIA Body proportions remain consistent from all angles Final video is clearly original No reuse of original footage No masking, overlay, or subject replacement Fully automated pipeline via n8n Successful publishing via Blotato AUTOMATIC REJECTION CONDITIONS Subject replacement Rotoscoping original people Frame-exact copying Background cloning Digital double insertion Ignoring the recreation-only requirement EXPECTATION SETTING This system prioritizes monetization safety, automation, consistency, and scalability. FINAL NOTE TO FREELANCER If your approach relies on masking original footage, inserting characters into real clips, or copying exact scenes, this j...

I’m working with a 50-second MP4, captured in 4K, of a girl seated at a table and speaking to someone off screen (only her head moves a bit, nothing else). Using Davinci Resolve •Background: First, replace the existing background with a still image I’ll supply. Doesn’t need a detailed rotoscoping, the AI function should do fine. You can zoom a bit on the background image so the size of the girl matches the cafe in the backdrop. • Sound: Add in an ambient noise clip which I’ll provide (loop it 3 times). Make sure it’s barely noticeable (maybe -35db). Also, normalise the girl’s voice slightly, it’s a little bit too loud. And if you can remove the slight rusting noise of the jacket that would be a bonus. • Grading: colour-gr...

...or right-hand edge of the frame from start to finish. The rest of the footage is perfectly exposed and I want to keep every bit of sharpness, colour and motion detail intact; only the flare has to go. Please deliver a cleaned, flare-free version in the same resolution, frame rate and codec as the original. Any method that works is fine (DaVinci Resolve, After Effects, Mocha tracking, manual rotoscoping, whatever your preferred workflow may be) as long as the final render shows no colour shifts, ghosting or artefacts where the flare used to be. I’ll provide the source file via a download link right after we start, and I’ll review the result against the original to be sure nothing else changed. If a tiny amount of grain or glow remains, I’m happy to give one rou...

I’ve got raw footage from a recent social gathering and I want it transformed into a 40- to 50-second highlight reel built specifically for Instagram. The end product should feel fast, energetic, and creative—think tight match cuts, slick rotoscoping, seamless transitions, motion graphics and color grading that punch up the pace without overwhelming the story. Please use the reference clip below as the creative benchmark for speed, colour treatment, and overall vibe: What matters most is that every second showcases the key moments and highlights of the night; no filler, just the high-impact beats that keep a viewer glued to the screen. I’ll supply the original clips and any logos you might need. Deliverable: • One final 40–50 s video, optimised

... so the final cut should feel contemporary, energetic, and professional without looking overly “techy.” Here is what I already have: raw 4K drone clips, several on-site interviews, and a folder of still images and architectural renders. You’ll weave these assets into a cohesive story, then enhance them with AI tools—think Runway, Adobe Premiere Pro’s Sensei features, or similar—to automate rotoscoping, color matching, and intelligent scene transitions. Quick, accurate captions generated with speech-to-text and on-brand lower thirds will be a plus. Preferred style: mixed media. In practice, that means live-action as the backbone, with animated progress bars, blueprint overlays, or short 3D fly-ins to emphasise milestones and unique engineering...

I filmed a short run and now want believable snow spray composited wherever my skis edge or turn. The effect has to track the actual motion of the skis—speed, direction, timing...so the flakes travel naturally with the carve, including medium-level motion blur that blends with the original shutter speed. • Keep the look true-to-life—no cartoon puffs or flat white dust. Granular, crystalline snow that reacts to gravity and airflow is what I’m after. • Deliver the finished clip in exactly the same resolution and frame rate as the source file. If you’re comfortable rotoscoping skis, motion-tracking edges, and simulating particles in After Effects, Blender, or similar tools, this should be a straightforward VFX pass. I’ll supply the original ...

Footage Details Camera: Sony Burano Video Type: X-OCN G LT 5.8K 16:9 FPS: 23.98 Color Space: The total length of the footage is 475 frames, and the actual usable range will be frames 35–457 (the frame numbers are burned into the provided video).

I have a steady stream of VFX shots that must be roto-separated with exacting, frame-accurate precision. The work spans humans, fast-moving vehicles, and a variety of environmental elements, so rock-solid edges and proper motion-blur treatment are critical. Every matte has to meet client expectations in full and land on—or preferably before—the agreed deadline. My in-house team of thirty roto artists already handles large volumes, but current demand calls for dependable outside partners who can plug straight into our workflow without compromising quality. If you are comfortable delivering pixel-perfect shapes, feather refinements, and articulate holdout mattes under tight schedules, I’d like to collaborate. Deliverables • High-precision mattes for each assigned o...

...wedding and the arrival of our first child. I am in the process of collating as much material as possible. Most of it will be very low quality phone footage and photos so I accept there is only so much that can be done but I have a particular style in mind. Key Requirements: -Rotoscoping type text - The tone should be nostalgic / like an indie type film (appreciating the limitations that the photography and footage will only allow so much) Ideal Skills and Experience: - Proficiency in video editing software -Rotoscoping / animation (again within reason not looking for more than text or basic imagery) - Attention to detail and storytelling abilities Style like Juno or Scott Pilgrim vs the world overlays Please share any past work or relevant experience in your appl...

...Mocha Pro planar tracking or equivalent Experience with screen replacement / UI compositing Ability to match iPhone UI text exactly Smooth tracking even during scroll acceleration Delivery in 1080×1920, 30 FPS, MP4 Deliverables: Final edited MP4 Perfectly replaced times 1–2 revisions if needed Skills Required (add these!) Adobe After Effects Mocha Pro Compositing Motion Tracking Rotoscoping Visual Effects Screen Replacement UI Animation Video Compositing Motion Graphics Design Budget: Flexible (paying for quality) Deadline: ASAP...

I have a steady stream of VFX shots that must be roto-separated with exacting, frame-accurate precision. The work spans humans, fast-moving vehicles, and a variety of environmental elements, so rock-solid edges and proper motion-blur treatment are critical. Every matte has to meet client expectations in full and land on—or preferably before—the agreed deadline. My in-house team of thirty roto artists already handles large volumes, but current demand calls for dependable outside partners who can plug straight into our workflow without compromising quality. If you are comfortable delivering pixel-perfect shapes, feather refinements, and articulate holdout mattes under tight schedules, I’d like to collaborate. Deliverables • High-precision mattes for each assigned o...