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PART I: THE CONCEPT OF PALIMSESTE IN QUESTION
Chapter 1: The palimpsest, from scriptural to pictorial
1. For a definition of palimpsest
1.1. The palimpsest: language and etymological scraping
1.2. The structuralist approach of the concept of palimpsest.
2.1.1. Transtextuality and hypertextuality according to Gérard Genette.
2.1.2. The work of art as text, the Barthésienne approach.
2.1.3. Reading the painting in question
2. Transliteration: towards a pictorial palimpsest
2.1. Dithering and stratification as a foundation.
2.2. The underside (terra inognita) as a springing place for the pictorial work
2.3. The emergence of the reproductive tract IN-SI-TU
Chapter 2: Scientific Imaging and Prosthetic Look at Work:
Anthropological study of man and his tools.
1. Towards the miniaturization of the technological device
1.1. Prosthetic look
1.2. From pinacoradiology to the lens of augmented reality of the work.
1.3. Fake or even better.
1.4. Send / reveal the look.
1.5. Light and Illumination: Relative Clarity / Absolute Clarity.
2. Scientific imaging, typology and procedure
2.1. The grazing light
2.2. X-rays, radiography and CT
2.3. The Infrared
2.4. The Ultrasound
2.5. Visual amplification: Endoscopy and microscopy.
2.6. Radioactivity and Gamma Radiation: Scintigraphy and Transmission Tomography (PET)
3. Scientific Imaging: How to explore the pictorial
3.2. The Zoning
3.3. The replacement of visual failures
3.4. Changing the size
3.5. The revelation of hidden layers and the crossing of impassable thresholds.
4. The image of image as a scientific-pictorial genre.
4.1. The disappearance suggested by the graphic imprint
4.2. The appearance suggested by the trace in the work.
4.3. The cliché / the graphie of the work.
4.4. The spectral
4.5. The composition and the frame
4.6. Plastic properties
4.7. The device of enunciation
4.8. Rupture and anachronism
4.9. Juxtaposition / overflow
What we see about us, georges didi huberman
These doctoral theses elyzabeth raveaud A1 document
MADELAINE HOURS A LIFE IN LOUVRE
VISIBLE / INVISIBLE / VISUAL SPECTRALITY AND HANOLOGY IN GATELESS BARRIER BY LUCAS MALET
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